Designed by Andrey Kudryavtsev, Rodrigo Salas and Franco Hernández, Squick is a sans serif and dingbat font family. This typeface has eleven styles and was published by Rodrigo Typo.
Squick - A Typography Sans, Dinamica with many alternatives
from weights (Thin, Light, Normal, Regular, Medium, Bold, Extrabold, Black, Dense)
Designed by Ale Navarro, Maipo Sans is a sans serif and stencil font family. This typeface has forty styles and was published by Compañía Tipográfica De Chile.
Maipo Sans is a modern typeface inspired by the mountain landscape of Cajón del Maipo, Chile. Its forms are inspired by the first sans serif European Humanist fonts of the twentieth century along with a touch of reverse contrast. This typeface is specially designed for projects using extensive text blocks and striking ads.
Maipo Sans puts a careful focus in the interpolation; therefore it gains expressiveness as its weight increases. That is why it has moderate and functional forms in its thinner weights, while in his heavier variants it gains freshness and sympathy.
To make it more complete, this family has a complete Stencil Version with a lot of character and power.
Maipos Sans is composed by 40 styles, 826 glyphs and Small Caps.
Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, arrows, fractions, superscripts, subscripts and many more.
Designed by Jess Latham, Enticing Script is a script font published by Blue Vinyl Fonts.
Enticing Script is a clean, modern and versatile script face that was designed specifically for packaging design but will fit in just about anywhere.
It comes complete with many alternates for the upper and lower case and plenty of opentype features to explore. The stylistic set gives you a slightly more sophisticated look with a loopy lowercase l, an alternate lowercase r and more. Turn on the swash feature and you get fun little swashes on the lowercase that were expertly programmed not to trigger all at once but instead to appear at just the right moment and work in harmony with surrounding characters. Contextual alternates will create starts and endings where necessary. Ligatures are also included.
Language support is broad and extends to the Central European market. There are exactly 769 characters in this typeface.
Designed by David Kerkhoff, Adagietto is a display sans font family. This typeface has two styles and was published by Hanoded.
Adagietto is a musical term and means: ‘fairly slow’. I wasn’t in a rush to create this font, so the name kind of suits!
Adagietto is a classic font, ideally suited for posters, book covers and product packaging - and just about everything that needs a classy look.
Designed by Cosimo Pancini and Andrea Tartarelli, Body is a sans serif font family. This typeface has sixty-four styles and was published by Zetafonts.
Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.
Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.
Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques.
For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights.
All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.