Caitlin Heales

The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks.  The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc.

It includes 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs.

Stanffords Family is a very versatile script: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format.

Stanffords Family is bouncy and smooth and has a very organic feel. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!

A fun all caps font in a handwritten style.

Wayland (Vølund or Völundr) is the mythical blacksmith from Norse mythology. I chose this name, because Wayland is a bulky, sturdy display font.

Wayland can be used for many types of design, but headlines, posters and book covers spring to mind. Comes with extensive language support.

Auster, A Sans with Flair!
Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads.

Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 2 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitised, to include language support and all the opentype features you expect in a quality contemporary font.