Caitlin Heales

The cover of the 1938 sheet music for “Treasure Island March” had its title hand lettered in a rough-hewn Western style with overtones of Art Deco influence.

All of the characters were “cleaned up” for the digital font, but still retain the basic designs with their irregular, eccentric look.

The result is Western Deco JNL, which is available in both regular and oblique versions.

Auster, A Sans with Flair! Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd.

The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads.

Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 2 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitised, to include language support and all the opentype features you expect in a quality contemporary font.

Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs.

The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design.

Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc.

Features: • Over 900 glyphs in 10 styles (Light to Bold); • Extended Latin and Cyrillic for more than 130 languages; • Tall x-height and Semi-Condensed proportions; • High contrast and modulated stroke with vertical stress; • Neoclassical characteristics and moderate apertures; • Full set of Small Capitals; • True form of italics; • Coverage of multiple OpenType features; • Suitable for wide design purposes.

Matchstick is a hand drawn brush script. Matchstick is packed with loads of ligatures and alternates that help simulate a swift look of a handwriting.

This feature is set in Standard Ligatures and it is normally automatically on.

Matchstick is a great display brush to be used in writing headlines, packaging, posters or as a logotype.

Matchstick works great when paired with strong sans serifs.

Spencer is a calligraphic semi-serif type family that has been carefully designed to provide easily distinguishable letterforms that are practical in use, as well as aesthetically appealing.

It’s natural and organic forms comes from a deep consideration of the efficiency of the visible word and provides the typeface with a distinct and unique voice.

Named after Herbert Spencer, an educator and researcher of legibility at the Royal College of Art in the sixties and seventies, and influenced by other early typographers and legibility researchers, such as Walter Tracy and John Harris.

Spencer was designed as part of a legibility study by Sofie Beier and Kevin Larson.