Caitlin Heales

Arancello is a lovely connected Didone. It is a rather bold typeface, so use it for headlines, posters and product packaging - anything, really, that needs a sophisticated and bold look.

Comes with some ligatures for letters that just won’t connect well.

Elegant Spencerian style script inspired by Louis Madarasz penmanship. Fancy Capitals, high contrast strokes, dynamic slant, lots of stylistic alternates, extended character set with Western European languages support.

If you want luxury, elegance, high class feel - search no more! Wedding stationery, name signatures, wine labels, lettering works - these are areas I made this script for.

First lowercase and last letter swap automatically. You just need turn on Contextual Alternates, please refer help file on how to do it in different applications.

Wozniak is a workhorse sanserif typeface in 16 styles that includes a 16 styles display font on itself.

On its default shapes brings a modern, clear and bright personality to the text and a wide range of possibilities by supporting many OpenType features, such as oldstyle, lining & tabular numbers, small caps, inferiors & superiors, discretionary ligatures, numerators & denominators, extended fractions, case sensitivity forms and more, all carefully crafted and balanced for excellent legibility and optimum performance both on screen and on paper.

But thats not all, every style also includes two complete uppercase sets of display alternates and more than 180 stylistic ligatures inspired by the digital revolution and the early 80s aesthetics.

All this blend into a flexible and multifunctional set of over 1600 glyphs, support for more than 200 latin script languages and the potentiality of use in long text settings, headlines or branding travelling from modern to vintage with absolute ease and naturality.

Wozniak was named after Steve Wozniak as a tribute to the pioneers of the digital revolution.

Criteria CF is a geometric sans built with simple, efficient construction. Straight lines and clean circles combine with a tight vertical design that allows for cleanly-stacked lowercase text, striking headlines, and bold wordmarks.

Hints of Swiss style and unconventional ideas add a fresh dimension to a strong geometric design.

Uniquely, Criteria CF was designed on a vintage PowerBook G4 Macintosh – and then polished up on a modern machine – to illustrate the usefulness and repairability of older computers, and the value of keeping them out of landfills, allowing them to serve a new purpose.

I have been making some clean, connected fonts lately and when I was working on another one of these, I felt the need for something chaotic.

So, Scapegoat was born. I used a round nibbed steel pen and Chinese ink and the result is quite a messy font.

It may look chaotic, but as Nietzsche once said: ‘from chaos comes order’.

Amen to that! Comes with double letter ligatures for the lower case and a whole lot of diacritics.